Guitar Instructional DVD: The Road To Your Success
Find out how your favorite players reached their goals. Often times this is hard to do since you can’t always sit down and talk to some very famous musicians. But interviews exist as well as a few biographies on some musicians (especially dead ones).
Its not uncommon to see the player’s advice be summed up in a grand total of three words: Practice! Practice!! Practice!!! Well of course we all know that practicing is the main ingredient. But rarely are we told much more than that. In my long quest to become an excellent player and to help my students do the same I carefully took note of what worked and what didn’t. What parts conventional wisdom is accurate and what parts are (at least in my opinion) are not. I believe the twenty concepts that have proven to bring great results to those who use them are:
But no matter how good you get, there will always be something you can learn from someone else. Seek out those people, get to know them, jam with them, discuss music and guitar with them. Be willing to give as much (or more) as you want to take. If you are fortunate enough to be above the level of other guitarists in your area, seek out great bassists, pianists, violinists, drummers, etc. You can learn from them as well. (Even if you are not better than your guitar player friends, seek out musicians that play other instruments as well anyway).
You may need to revise certain aspects of your strategy as time goes on and that’s ok, but don’t try to go forward without one if you want the maximum results in the shortest amount of time. In my early days learning to play guitar, I wasted a lot of time aimlessly desiring to get better without having a clue as to how to plan for it. Sure I practiced a lot, but without direction and without an efficient path to follow. Most of my substantial progress as a musician came only after I developed a strategy and worked with it.
For instance, the process may go like this: I notice I have trouble with a fast scale passage in a piece I am playing. I notice a particular note starts disappearing when I reach a certain speed. The note is being missed.
But for many people, it is a very disconcerting experience. I have gotten letters from people who have read some things I have written, and become afraid to practice! They are so aware of, and on their guard against, excess muscle tension, and the devastating effects for the developing player, they are afraid to touch a string!
I believe “Self Expression” is the pinnacle of all art. Anything less, “is less” in my opinion. I’m not going to debate that view or try to persuade any of you to also believe it. Instead I am going to assume you already hold that view and discuss ways in which I may be able to offer you both philosophical and practical advice.
Bar chords are what I am referring to. I am going to address the physical, technical aspects of learning these chords in a way that will enable you to avoid the difficulties that attend the learning of them for most players.
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